Path

I make jewellery because it allows me to translate inner experience into physical form. My practice sits at the intersection of sculpture, myth, and emotional cartography: wearable objects that hold presence, weight, and symbolic resonance. Working with ceramic sculpture gives me a unique ability to map colour with precision — to treat colour not as decoration, but as an emotional code, a structural logic, and a way of articulating psychological landscapes. Through clay, metal, and elemental processes, I explore how colour can reveal thresholds of transformation, states of tension, and the quiet movements of the inner world.

What is distinctive about my practice is its sculptural foundation. Each piece begins as a small, hand‑carved form, shaped slowly to hold tension, softness, and the imprint of the hand. I work with silver clay, metal, and ceramic watercolours to create surfaces that feel alive, shifting, and emotionally charged. Myth and poetry form the conceptual backbone of my work; archetypal imagery guides the structures I build, allowing each piece to function as a vessel for psychological and symbolic meaning. Jewellery, for me, is a site where mythic language becomes tactile — where inner states can be carried, worn, and felt.